{"id":294,"date":"2025-09-10T11:39:34","date_gmt":"2025-09-10T15:39:34","guid":{"rendered":"https:\/\/capclave.org\/capclave25\/?page_id=294"},"modified":"2025-09-10T11:39:34","modified_gmt":"2025-09-10T15:39:34","slug":"program-grid","status":"publish","type":"page","link":"https:\/\/capclave.org\/capclave25\/programming\/program-grid\/","title":{"rendered":"Program Grid"},"content":{"rendered":"

\n\n\n\n
Hours of Operations<\/font><\/th>\n<\/tr>\n
\n\n\n\n\n\n\n
\n Registration (Outside Roosevelt\/Madison)<\/b>
\n Friday 2pm – 9pm
\n Saturday 9am – 7:30pm
\n Sunday 9am – 2pm\n <\/td>\n		\n
         <\/pre>\n<\/td>\n
\n Dealer’s Room (Roosevelt\/Madison)<\/b>
\n Friday: 3pm – 6pm
\n Saturday: 10am – 6pm
\n Sunday: 10am – 2pm\n <\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\n Con Suite (Wilson)<\/b>
\n Friday: 4pm – midnight
\n Saturday: 9am – midnight
\n Sunday: 9am – 2pm\n <\/td>\n		\n
         <\/pre>\n<\/td>\n
\n Con Ops\/Green Room (Jefferson)<\/b>
\n Friday: 3pm – 11pm
\n Saturday: 9am – 11pm
\n Sunday: 9am – 3pm\n <\/td>\n<\/tr>\n
<\/td>\n<\/tr>\n
\n The Hal Haag Memorial Game Room (Truman)<\/b>
\n Friday 3pm – midnight
\n Saturday 10am – midnight
\n Sunday 10am – 3pm\n <\/td>\n		\n
         <\/pre>\n<\/td>\n
\n  \n <\/td>\n<\/tr>\n<\/table>\n<\/td>\n<\/tr>\n<\/table>\n

\n\n\n\n
 <\/td>\n<\/tr>\n
\n

Preliminary Program Grid<\/h3>\n

This is the Preliminary program schedule with the program items we’re planning on having. New things may emerge, and any of these may disappear in puff of logic, all without warning. The program will be updated as information changes, but please check for official notifications during the convention.<\/h4>\n<\/td>\n<\/tr>\n<\/table>\n

Grid of Scheduled Events<\/h3>\n

(NOTE: All events are subject to change. Please check back often.)<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2025-09-19 Friday<\/td>\n<\/tr>\n
 <\/th>\nEisenhower<\/th>\nWashington Theater<\/th>\nJackson<\/th>\nMonroe<\/th>\nTruman<\/th>\nAdams<\/th>\nAtrium<\/th>\nWilson<\/th>\nLincoln<\/th>\nUpstairs Library<\/th>\n<\/th>\n
4:00 pm<\/td>\n <\/td>\nMorally Grey Characters<\/td>\n <\/td>\nWriting at Different Lengths<\/td>\nGame Demo – Gold n’ Grog <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
4:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
5:00 pm<\/td>\nThe Power of Places<\/td>\nWelcome to Capclave <\/td>\n <\/td>\nRomance in SF\/Fantasy<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
5:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
6:00 pm<\/td>\nSuperheroes Versus the Law<\/td>\nFate versus Free Will in Fantasy<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
6:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
7:00 pm<\/td>\nDefending the Standalone<\/td>\nCats in Science Fiction \/ Fantasy <\/td>\nThe Absolute Boss<\/td>\nCan Humanity Colonize Other Worlds?<\/td>\nGame Demo – Point Salad <\/td>\nAuthor Reading – Alex Shvartsman <\/td>\n <\/td>\n <\/td>\nAuthor Reading – Nathan W. Toronto<\/td>\n <\/td>\n<\/tr>\n
7:30 pm<\/td>\nAuthor Reading – Paul Haggerty <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
8:00 pm<\/td>\nMust Military SF Be Pro-War?<\/td>\nTurning Points in Alternate Histories<\/td>\nAuthor Reading – GOH Naomi Kritzer<\/td>\nHistory of DC Fandom<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
8:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
9:00 pm<\/td>\nCommon SF\/Fantasy Tropes<\/td>\nFractured Fairy Tales<\/td>\nUnderused Creatures<\/td>\nWSFA Meeting<\/td>\n <\/td>\nAuthor Reading – Barbara Krasnoff<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
9:30 pm<\/td>\n <\/td>\nAuthor Reading — Darrell Schweitzer<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
10:00 pm<\/td>\n <\/td>\nEye of Argon <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
10:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
11:00 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\nFriday Night Filking<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
11:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
12:00 am<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
12:30 am<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
2025-09-20 Saturday<\/td>\n<\/tr>\n
 <\/th>\nEisenhower<\/th>\nWashington Theater<\/th>\nJackson<\/th>\nMonroe<\/th>\nTruman<\/th>\nAdams<\/th>\nAtrium<\/th>\nWilson<\/th>\nLincoln<\/th>\nUpstairs Library<\/th>\n<\/th>\n
10:00 am<\/td>\nBenevolent AIs<\/td>\nThe Lineage of The Forever War<\/td>\nAsk Me Anything – Authors<\/td>\nStaying Ahead of the Future<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
10:30 am<\/td>\n <\/td>\nAuthor Reading – Walter H Hunt<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Somto Ihezue<\/td>\n <\/td>\n<\/tr>\n
11:00 am<\/td>\nKeeping the Science in Science Fiction <\/td>\nMixing the Genres<\/td>\nMostly Forgotten Authors<\/td>\nAsk Me Anything – Editors<\/td>\n <\/td>\nAuthor Reading – Elektra Hammond<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Joab Stieglitz <\/td>\n <\/td>\n<\/tr>\n
11:30 am<\/td>\n <\/td>\nAuthor Reading – Karlo Yeager Rodriguez <\/td>\n <\/td>\n <\/td>\nAuthor Reading – Kel Coleman<\/td>\n <\/td>\n<\/tr>\n
12:00 pm<\/td>\nWriting Both Fantasy and SF<\/td>\nTime Crystals Science Presentation<\/td>\nCautionary Tales<\/td>\n25 Years of Capclave<\/td>\nGame Demo – Akropolis <\/td>\nAuthor Reading — Jean Marie Ward<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Rosemary Claire Smith <\/td>\n <\/td>\n<\/tr>\n
12:30 pm<\/td>\nAuthor Reading — Tom Doyle<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1:00 pm<\/td>\nGOH interview with Naomi Kritzer<\/td>\nA Wizard\u2019s Place <\/td>\nPurposeful Diversity in SF and Fantasy<\/td>\n1632 Update Three Years After Eric Flint<\/td>\n <\/td>\nAuthor Reading – A.C. Wise<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Randee Dawn<\/td>\n <\/td>\n<\/tr>\n
1:30 pm<\/td>\nStarship Troopers RPG<\/td>\nAuthor Reading – Joshua Palmatier<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Miguel O. Mitchell<\/td>\n <\/td>\n<\/tr>\n
2:00 pm<\/td>\nGOH Interview with Joe and Gay Haldeman<\/td>\nFor the Love of Evil<\/td>\nWhat Should You Be Reading & Watching<\/td>\nRole of Editors<\/td>\nAuthor Reading – Catherine Asaro<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Day Al-Mohamed<\/td>\n <\/td>\n<\/tr>\n
2:30 pm<\/td>\nAuthor Reading — Lawrence M. Schoen<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Nicole Glover <\/td>\n <\/td>\n<\/tr>\n
3:00 pm<\/td>\nBuilding Your Worlds from the Ground Up<\/td>\nBringing Up Baby: Differences in Dinosaur vs. Mammals Growth & Ecologies<\/td>\nBook Promotion<\/td>\nLearning the Craft<\/td>\nAuthor Reading – J.L. Gribble <\/td>\n <\/td>\n <\/td>\nAuthor Reading – Marissa Lingen<\/td>\n <\/td>\n<\/tr>\n
3:30 pm<\/td>\nAuthor Reading – \u00cdde Hennessy<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Mark Roth<\/td>\n <\/td>\n<\/tr>\n
4:00 pm<\/td>\nSpace Opera vs. Hard SF vs. Military SF<\/td>\nHopeful Fiction for Dark Times<\/td>\nLiving with a Writer<\/td>\nWriting Through Adversity<\/td>\nAuthor Reading – Meridel Newton<\/td>\n <\/td>\n <\/td>\nWriters’ Workshop<\/td>\n <\/td>\n<\/tr>\n
4:30 pm<\/td>\n <\/td>\nAuthor Reading – Andrija Popovic<\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
5:00 pm<\/td>\n <\/td>\nAre Shorts Still the Heart?<\/td>\nUses of History<\/td>\nSenior Protagonists<\/td>\nGame Demo – Mists Over Carcassone<\/td>\nAuthor Reading – Mary G. Thompson <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
5:30 pm<\/td>\n <\/td>\nAuthor Reading – Emily Wagner<\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
6:00 pm<\/td>\n <\/td>\n <\/td>\nDiving into Subgenres <\/td>\n <\/td>\n <\/td>\nAuthor Reading – D.M. Mewha<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
6:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\nAuthor Reading – Phillip Pournelle <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
7:00 pm<\/td>\nMass Signing and Award Ceremony<\/td>\nScience Fictional Trivia<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
7:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
8:00 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
8:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
9:00 pm<\/td>\n <\/td>\nStaying Power of the Lord of the Rings<\/td>\nAppeal of Horror <\/td>\nThe Second Coming of Russell T Davies on Doctor Who<\/td>\n <\/td>\nAuthor Reading – Danielle Ackley-McPhail <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
9:30 pm<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Ian Randal Strock <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
10:00 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\nGame Demo – Life of the Amazonia <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
10:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
11:00 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\nSaturday Night Filking<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
11:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
12:00 am<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
12:30 am<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
2025-09-21 Sunday<\/td>\n<\/tr>\n
 <\/th>\nEisenhower<\/th>\nWashington Theater<\/th>\nJackson<\/th>\nMonroe<\/th>\nTruman<\/th>\nAdams<\/th>\nAtrium<\/th>\nWilson<\/th>\nLincoln<\/th>\nUpstairs Library<\/th>\n<\/th>\n
10:00 am<\/td>\nBreaking the Rules of Science? <\/td>\nMagic: Wonder or Mechanics? <\/td>\nProblems in Series<\/td>\nAlien Immigrants<\/td>\nMiniatures Painting Workshop<\/td>\nAuthor Reading — Michael A. Ventrella<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Charles Oberndorf<\/td>\n <\/td>\n<\/tr>\n
10:30 am<\/td>\nAuthor Reading – Sarah Avery <\/td>\n <\/td>\n <\/td>\nAuthor Reading – Michael J. DeLuca <\/td>\n <\/td>\n<\/tr>\n
11:00 am<\/td>\nEthical Considerations for AI<\/td>\nLooking for Exoplanets in all the right (SF) Places<\/td>\nWriting in Our Own Dystopia<\/td>\nWorks of Joe Haldeman <\/td>\nAuthor Reading — Bjorn Hasseler<\/td>\n <\/td>\n <\/td>\nPoetry Workshop<\/td>\n <\/td>\n<\/tr>\n
11:30 am<\/td>\nAuthor Reading — Hildy Silverman<\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
12:00 pm<\/td>\nAlternatives Roads to Hero\u2019s Journey <\/td>\nSmall Press or Self-Publishing or Big Press<\/td>\nImplications of Genetic Engineering <\/td>\nHumor and Satire in SF\/Fantasy<\/td>\n <\/td>\nAuthor Reading – Matthew Kressel<\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
12:30 pm<\/td>\n <\/td>\nAuthor Reading – Scott Edelman<\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
1:00 pm<\/td>\nComing of Age Stories <\/td>\nReligions of the Future<\/td>\nAsk Me Anything – Publishers <\/td>\nThe Singularity is Nearer<\/td>\n <\/td>\nAuthor Reading – Morgan Hazelwood<\/td>\n <\/td>\n <\/td>\nAuthor Reading – Doc Coleman <\/td>\n <\/td>\n<\/tr>\n
1:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
2:00 pm<\/td>\nIs SF Political?<\/td>\nGenre vs Literary Fiction<\/td>\nAuthor Reading – GOH Joe Haldeman<\/td>\nPoint of View<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
2:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
3:00 pm<\/td>\n <\/td>\nFeedback Session<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n
3:30 pm<\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n <\/td>\n<\/tr>\n<\/table>\n

Items are sorted by Category, Date\/Time, Room and Event Name<\/h3>\n

(NOTE: All items are subject to change. Please check back often.)<\/p>\n

Panel<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Friday 4:00 pm<\/td>\nWashington Theater<\/td>\nMorally Grey Characters<\/b><\/u> (Ends at: 4:55 pm)
Participants:<\/b> Zack Be<\/a> (M), Naomi Kritzer<\/a>, Andrija Popovic<\/a>, Joab Stieglitz<\/a>
Not every protagonist is all good. There are anti-heroes, redeemed former villains, flawed heroes, and others who are not evil but not the conventional good guy. What makes morally gray characters catnip to many fiction readers?\u00a0 How do these morally grey characters balance the tightrope between the traditional hero and the traditional villain? Who are some of the best morally grey characters and what makes them work? \u00a0<\/p>\n

\u00a0<\/td>\n<\/tr>\n

Monroe<\/td>\nWriting at Different Lengths<\/b><\/u> (Ends at: 4:55 pm)
Participants:<\/b> D.H. Aire<\/a>, Scott Edelman<\/a>, Larry Hodges<\/a> (M), Leslye Penelope<\/a>, Lawrence M. Schoen<\/a>
How does an author approach writing a short story from writing a novella, to writing a novel? Do you know what length a piece of writing will be when you start? Or does this change in the editing? What can you do in a short story that you cannot in a novel and vice versa? <\/p>\n

\u00a0<\/td>\n<\/tr>\n

Friday 5:00 pm<\/td>\nEisenhower<\/td>\nThe Power of Places<\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> Bjorn Hasseler<\/a>, Marissa Lingen<\/a>, Leslye Penelope<\/a>, Jennifer R. Povey<\/a>, Karlo Yeager Rodriguez<\/a> (M)<\/p>\n

Every work of fiction has a setting.\u00a0 This is especially true of science fiction and fantasy where the settings are imaginary \u2013 other planets and fantasy realms. How do writers decide on a setting and communicate it to the reader? What makes some settings seem real while others mere painted backdrops? How does society help to shape the world around it? What writers have effective settings and what techniques do they use? <\/td>\n<\/tr>\n

Washington Theater<\/td>\nWelcome to Capclave <\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> Gay Haldeman<\/a>, Sam Lubell<\/a> (M)
First time at any convention? Or even just your first Capclave? This is where you should start.<\/td>\n<\/tr>\n
Monroe<\/td>\nRomance in SF\/Fantasy<\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> J.L. Gribble<\/a>, Morgan Hazelwood<\/a> (M), Lyda Morehouse<\/a>, Sherin Nicole<\/a>, Andrija Popovic<\/a><\/p>\n

How do you like your romance in science fiction and fantasy? Can you tell your paranormal romance and romantasy from your urban fantasy? How are these subgenres different from each other? Panelists will steer you toward the right combination of romance in your science fiction and fantasy.<\/td>\n<\/tr>\n

Friday 6:00 pm<\/td>\nEisenhower<\/td>\nSuperheroes Versus the Law<\/b><\/u> (Ends at: 6:55 pm)
Participants:<\/b> Zack Be<\/a>, Cathy Green<\/a> (M), Sherin Nicole<\/a>, Michael A. Ventrella<\/a>
In what ways do superheroes like Batman, Superman, Spiderman, and Daredevil break the law? How can they change their normal operations to become more legal? Our panel of lawyers and informed civilians will discuss the legal ramifications of super-vigilantes and what advice they would give them. <\/p>\n

\u00a0<\/td>\n<\/tr>\n

Washington Theater<\/td>\nFate versus Free Will in Fantasy<\/b><\/u> (Ends at: 6:55 pm)
Participants:<\/b> Michael J. DeLuca<\/a> (M), Tom Doyle<\/a>, Carolyn Ives Gilman <\/a>, Meridel Newton<\/a><\/p>\n

Fantasy is full of prophesies and destiny. But when the main character is chosen by fate, do they have free will? Can they actually make a choice to be a hero if destiny says they will? And can they really experience true agency or risk if the results have already been written? And doesn\u2019t this prediction make the story less interesting if everyone knows who will win? So what\u2019s fantasy\u2019s obsession with destiny? What works get destiny right or wrong?<\/td>\n<\/tr>\n

Friday 7:00 pm<\/td>\nEisenhower<\/td>\nDefending the Standalone<\/b><\/u> (Ends at: 7:55 pm)
Participants:<\/b> Adeena Mignogna<\/a>, Mary G. Thompson<\/a>
In a world of 20+ volume series, it is easy for a standalone novel to get lost in the crowd. What can be done with a singleton? Why might authors and readers prefer a one and done?<\/p>\n

\u00a0<\/td>\n<\/tr>\n

Washington Theater<\/td>\nCats in Science Fiction \/ Fantasy <\/b><\/u> (Ends at: 7:55 pm)
Participants:<\/b> Danielle Ackley-McPhail<\/a>, Tom Doyle<\/a>, Elektra Hammond<\/a> (M), \u00cdde Hennessy<\/a>, Meridel Newton<\/a>
Cats have a long history in science fiction and fantasy (e.g., in Naomi Kritzer’s \u201cCat Pictures Please\u201d). Whether companion, familiar, villain, or benevolent overlord, cats are a welcome fixture in many of our favorite stories. Panelists discuss their favorite skiffy felines and why they dominate the genre.<\/td>\n<\/tr>\n
Jackson<\/td>\nThe Absolute Boss<\/b><\/u> (Ends at: 7:55 pm)
Participants:<\/b> Zack Be<\/a>, Jennifer Brinn<\/a>, Larry Hodges<\/a>, Marissa Lingen<\/a>, Karlo Yeager Rodriguez<\/a> (M)
Much of SF\/Fantasy has Galactic Emperors and Kings of fantasy kingdoms. We have Disney Princesses but not Disney Elected Leaders. Many plots feature the Return of the King. Why are there so few democracies in SF\/Fantasy?\u00a0 What does it mean when our entertainments focus on absolute rulers?\u00a0<\/p>\n

\u00a0<\/td>\n<\/tr>\n

Monroe<\/td>\nCan Humanity Colonize Other Worlds?<\/b><\/u> (Ends at: 7:55 pm)
Participants:<\/b> Carolyn Ives Gilman <\/a>, Nate Hoffelder<\/a>, Matthew Kressel<\/a>, Shahid Mahmud<\/a>, Phillip Pournelle<\/a> (M)<\/p>\n

Much science fiction depends on humanity going into outer space and living on other planets. But how realistic is such a goal? Whether solving challenges of terraforming or even finding worlds that support human life, colonization offers more practical and ethical problems than solutions. What scientific advancements or cultural shifts have to happen to make colonization\u00a0 possible, and how long would it take? What books have the best colonization stories, and what have authors done to make settling worlds seem plausible?<\/td>\n<\/tr>\n

Truman<\/td>\nGame Demo – Point Salad <\/b><\/u> (Ends at: 7:55 pm)
Participants:<\/b> Steve Brinich<\/a>
Point Salad is a\u00a0card-drafting game where the Chefs compete to build the tastiest salads-and er points. Lots of points. There are over 100 combinations of point-earning methods. The tastiest, pointiest salad wins!\u00a0<\/td>\n<\/tr>\n
Friday 8:00 pm<\/td>\nEisenhower<\/td>\nMust Military SF Be Pro-War?<\/b><\/u> (Ends at: 8:55 pm)
Participants:<\/b> Jack Campbell<\/a>, Joe Haldeman<\/a>, Mike McPhail<\/a>, Phillip Pournelle<\/a> (M), Nathan W. Toronto<\/a><\/p>\n

While much of Military SF seems to support war and having bigger weapons, how do books like The Forever War point to alternatives?\u00a0 What makes Military SF pro-war or anti-war? What does such more skeptical military SF have to say about troops?\u00a0 About military strategy? Is anti-war SF still military SF? <\/td>\n<\/tr>\n

Washington Theater<\/td>\nTurning Points in Alternate Histories<\/b><\/u> (Ends at: 8:55 pm)
Participants:<\/b> J.L. Gribble<\/a>, Elektra Hammond<\/a>, Bjorn Hasseler<\/a>, Walter H Hunt<\/a> (M), Ian Randal Strock<\/a>
In alternate histories, one detail can lead to entirely new histories. Yet there are numerous ways to achieve that divergence, from changing historical details to adding new significant characters to the setting. What are the techniques for deciding these turning points, and what makes them work? What works have used turning points effectively?<\/td>\n<\/tr>\n
Monroe<\/td>\nHistory of DC Fandom<\/b><\/u> (Ends at: 8:55 pm)
Participants:<\/b> Sam Lubell<\/a> (M), Bob MacIntosh<\/a>, Michael J. Walsh<\/a>
Hear about the Washington Science Fiction Association, assorted spin-off clubs, conventions, Worldcons, and other fan activities.\u00a0\u00a0<\/td>\n<\/tr>\n
Friday 9:00 pm<\/td>\nEisenhower<\/td>\nCommon SF\/Fantasy Tropes<\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b> Doc Coleman<\/a>, Morgan Hazelwood<\/a> (M), Joshua Benjamin Palmatier<\/a>, Michael A. Ventrella<\/a>
Authors often use tropes as shorthand to push the plot forward. But when overused, they can make a story feel too predictable. Should writers avoid tropes entirely, or can authors strike a balance between creativity and genre expectations? Which tropes are overused, and what are examples of beneficial tropes in current novels, short stories, films or TV? How can (or should) writers free a story from tropes and create more complex and original works?<\/td>\n<\/tr>\n
Washington Theater<\/td>\nFractured Fairy Tales<\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b> Danielle Ackley-McPhail<\/a>, Michael Swanwick<\/a>, Jean Marie Ward<\/a> (M)
From Disney to Alix Harrow to T. Kingfisher, people have twisted fairy tales into new works with new interpretations. What\u2019s the appeal of reinterpreting Snow White and her peers? How can adaptation reinterpret traditional stories to provide new perspectives for new audiences and new times? What variants work and which ones have not? Is this a case of authors being lazy, relying on what others have done? Or is this using the power of fairy tales, and our connection to them forged in childhood, to make a greater statement? <\/p>\n

\u00a0<\/td>\n<\/tr>\n

Jackson<\/td>\nUnderused Creatures<\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b> Randee Dawn<\/a>, \u00cdde Hennessy<\/a>, Rob O’Malley<\/a> (M), Hildy Silverman<\/a>, Joab Stieglitz<\/a><\/p>\n

Have we had enough of werewolves, dragons, faeries, and vampires?. What are some works with lesser known creatures and cryptids? Why are these less popular?\u00a0<\/td>\n<\/tr>\n

Monroe<\/td>\nWSFA Meeting<\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b>
The Washington Science Fiction Association (WSFA), the organization that runs Capclave, has meetings the First and Third Friday of the month.\u00a0 Since the September Third Friday meeting takes place at Capclave, we hold the meeting here.\u00a0 See what happens at a real WSFA meeting.\u00a0<\/td>\n<\/tr>\n
Friday 10:00 pm<\/td>\nWashington Theater<\/td>\nEye of Argon <\/b><\/u> (Ends at: 10:55 pm)
Participants:<\/b> \u00cdde Hennessy<\/a>, Ian Randal Strock<\/a>, Jean Marie Ward<\/a>
The Eye of Argon is a story so bad it’s good. Legend has it that no one can read more than a page without exploding in laughter (or tears). Our bold assembly will attempt to read the story and act it out. Can they survive the reading?\u00a0<\/td>\n<\/tr>\n
Saturday 10:00 am<\/td>\nEisenhower<\/td>\nBenevolent AIs<\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Michael J. DeLuca<\/a>, Inge Heyer<\/a>, Naomi Kritzer<\/a>, Lyda Morehouse<\/a>, Wendy Delmater Thies<\/a> (M)<\/p>\n

Not all artificial intelligences (AI) are violent SkyNets. Some just want to rearrange your life to make you happier (perhaps in exchange for cat pictures).\u00a0 What makes an AI benevolent? Can an AI understand humanity well enough to be really good for people? Can we depend on benevolent AIs? How can we be sure it will stay benevolent? Can a benevolent AI still be harmful? Let’s discuss the world of AI.<\/td>\n<\/tr>\n

Washington Theater<\/td>\nThe Lineage of The Forever War<\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Jack Campbell<\/a>, Tom Doyle<\/a> (M), Joe Haldeman<\/a>, Phillip Pournelle<\/a>, Michael Swanwick<\/a><\/p>\n

Joe Haldeman’s The Forever War has a long lineage in military SF, reaching back to Starship Troopers and forward to Old Man’s War and beyond. What influenced the book and what was influenced by it? Panelists will discuss its pivotal place in the history of military SF.<\/td>\n<\/tr>\n

Jackson<\/td>\nAsk Me Anything – Authors<\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> D.H. Aire<\/a>, Randee Dawn<\/a>, Diana Peterfreund<\/a>, Lawrence M. Schoen<\/a>, Karlo Yeager Rodriguez<\/a> (M)
This is an interactive Q & A panel where the audience can ask the authors anything. Yes, anything!<\/td>\n<\/tr>\n
Monroe<\/td>\nStaying Ahead of the Future<\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Sarah Pinsker<\/a>, Jennifer R. Povey<\/a>, Mary G. Thompson<\/a>, Emily Wagner<\/a> (M)<\/p>\n

Many SF works that projected the Cold War into space rapidly became obsolete in 1991.\u00a0 Even well into the 2000s, writers of science fiction failed to predict smartphones. How can writers avoid having works become outdated? Do you just shrug and say alternate world? Is this unavoidable when writing near future stories? Panelists discuss failures of SF prediction and what can be done to write around the issue. <\/td>\n<\/tr>\n

Saturday 11:00 am<\/td>\nEisenhower<\/td>\nKeeping the Science in Science Fiction <\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Catherine Asaro<\/a>, Joe Haldeman<\/a>, Inge Heyer<\/a>, Thomas R. Holtz, Jr.<\/a>, Rob O’Malley<\/a> (M)
Many beloved science fiction stories rely on meticulous scientific research and accuracy to delight readers. There are a variety of ways to approach creating fiction with this level of real-world detail. Do you start with the science and consider its implications, or do you follow the Star Trek method of simply madlibbing with technobabble? When is it time to bring in science consultants, and how closely do you follow their advice?\u00a0 Panelists explore practices and techniques for ensuring accurate science fiction in their stories.<\/td>\n<\/tr>\n
Washington Theater<\/td>\nMixing the Genres<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Randee Dawn<\/a>, Scott Edelman<\/a>, Nicole Glover<\/a>, Joshua Benjamin Palmatier<\/a> (M), Diana Peterfreund<\/a>
Mixing Fantasy with Romance and Science Fiction with Mystery are very common crossovers. What makes them work?\u00a0 What are some less frequently used crossovers and why are they less common?\u00a0 Why when science fiction or fantasy crosses over with another genre, are the works shelved in the sf\/fantasy sections of bookstores and libraries, but not the other genre? Or does it make a difference if the author is better known in the other genre? And what happens if a writer known for one genre decides to write in another? How does their experience in the other genre affect how they approach their SF or Fantasy? <\/td>\n<\/tr>\n
Jackson<\/td>\nMostly Forgotten Authors<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Sarah Avery<\/a>, Darrell Schweitzer<\/a>, Michael J. Walsh<\/a>
New writers emerge every day. So, gradually, many classic authors are pushed off the shelves and remembered only by a few older fans. Is this inevitable? Is this actually good since otherwise there wouldn\u2019t be room for new writers? What are some ways to preserve the writings of these vanishing authors? How can these authors get more attention since they aren\u2019t producing new books? Who are some of the mostly forgotten authors you want to restore and get more readers?<\/td>\n<\/tr>\n
Monroe<\/td>\nAsk Me Anything – Editors<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Scott H. Andrews<\/a> (M), Bjorn Hasseler<\/a>, Alex Shvartsman<\/a>, Hildy Silverman<\/a>, Sean Wallace<\/a>
This is a Q & A session between our panel of editors and the audience. This is your chance to ask editors anything.\u00a0<\/td>\n<\/tr>\n
Saturday 12:00 pm<\/td>\nEisenhower<\/td>\nWriting Both Fantasy and SF<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Day Al-Mohamed<\/a> (M), Miguel O. Mitchell<\/a>, Meridel Newton<\/a>, Suzanne Palmer<\/a>, Sarah Pinsker<\/a>
Many writers write both science fiction and fantasy. How are these two genres similar, how different? What do you do differently as writers when you write one rather than the other? At what point do you decide if a work will be fantasy or science fiction? Or do you just write it and then decide on a genre? <\/td>\n<\/tr>\n
Washington Theater<\/td>\nTime Crystals Science Presentation<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> John Ashmead<\/a>
\u00a0<\/p>\n

John Ashmead presents on time crystals.\u00a0<\/p>\n

Crystals we know: they are structures that are periodic in space, fun to look at, and very useful.<\/p>\n

In 2012 Nobel prize winner, Frank Wilczek, came up with the idea of a “time crystal”, a structure that is periodic in time, that oscillates among a couple of different states. Forever. Without pumping energy in. Or losing energy. Not possible in classical physics, Second Law of Thermodynamics and all that, but according to the laws of quantum mechanics, just barely! What do these tell us about time? How do we build one? What uses might they have?<\/td>\n<\/tr>\n

Jackson<\/td>\nCautionary Tales<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Jack Campbell<\/a>, Matthew Kressel<\/a>, Naomi Kritzer<\/a>, Phillip Pournelle<\/a> (M)
Cautionary Tales \u2013 Much of science fiction seeks to explore the consequences of choices humans face in our world. These stories can serve as warnings when authors examine the choice points that turn a potentially happy ending into a tragic defeat. They can warn us of what might happen if certain trends continue. What are some of the best examples of these cautionary tales? What do they tell us about our world and how we navigate big and small decisions about our lives?<\/td>\n<\/tr>\n
Monroe<\/td>\n25 Years of Capclave<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Cathy Green<\/a>, Bill Lawhorn<\/a>, Sam Lubell<\/a> (M), Bob MacIntosh<\/a><\/p>\n

Capclave began 25 years ago. How did it come about and why?. Hear from some of the founders of the convention.<\/td>\n<\/tr>\n

Saturday 1:00 pm<\/td>\nEisenhower<\/td>\nGOH interview with Naomi Kritzer<\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Naomi Kritzer<\/a>, Lyda Morehouse<\/a> (M)
GOH Naomi Kritzer is interviewed by Lyda Morehouse. Hear about her life in science fiction and fantasy, including winning four (and counting) Hugos.<\/td>\n<\/tr>\n
Washington Theater<\/td>\nA Wizard\u2019s Place <\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> D.H. Aire<\/a>, Jennifer Brinn<\/a>, Jo Miles<\/a>, Sherin Nicole<\/a> (M), Alex Shvartsman<\/a>
In a world where only some people can do magic, why aren\u2019t magic users the rulers of everything? How do magicians and their magic fit into political, social, and class structures of their world? Why, in so many of these worlds, are magic users in hiding or subject to others\u2019 control? What challenges do magic users face? How are these different in worlds where magic is publicly known to exist? And how does magic relate to science? <\/td>\n<\/tr>\n
Jackson<\/td>\nPurposeful Diversity in SF and Fantasy<\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Nicole Glover<\/a>, Somto Ihezue<\/a>, Shahid Mahmud<\/a>, Suzanne Palmer<\/a>, Leslye Penelope<\/a> (M)
Many writers are consciously exploring ways to carry forward what they love about SF and Fantasy without the sexism, racism, ableism, and colonialism of past works. How are writers and fans reinventing SF and Fantasy in ways that make room for greater diversity? Who has done this well? And how can we counter the backlash?<\/td>\n<\/tr>\n
Monroe<\/td>\n1632 Update Three Years After Eric Flint<\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Bjorn Hasseler<\/a> (M), Walter H Hunt<\/a>
The late Eric Flint, creator of the 1632 universe and co-author\/editor of most of the 1632 books sadly died in 2022. How is the 1632 universe surviving without him? Who is doing what? Will the 1632 universe continue, or is there a defined end point? <\/td>\n<\/tr>\n
Saturday 2:00 pm<\/td>\nEisenhower<\/td>\nGOH Interview with Joe and Gay Haldeman<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Gay Haldeman<\/a>, Joe Haldeman<\/a>, Bill Lawhorn<\/a> (M)
Capclave GoHs talk about their lives in science fiction.\u00a0\u00a0<\/td>\n<\/tr>\n
Washington Theater<\/td>\nFor the Love of Evil<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Ken Altabef<\/a>, Larry Hodges<\/a> (M), Lyda Morehouse<\/a>, Diana Peterfreund<\/a>
Some villains are more popular than their heroes! Or perhaps villains are more fun to read and to write. What makes a good villain and how should they work in a story? Are villains really heroes in their own mind or do they relish their villainy? Let\u2019s talk about villains and what makes them so compelling. Who are some of the best villains and why? <\/td>\n<\/tr>\n
Jackson<\/td>\nWhat Should You Be Reading & Watching<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Randee Dawn<\/a>, Sherin Nicole<\/a>, Hildy Silverman<\/a> (M), Rosemary Claire Smith<\/a>, A.C. Wise<\/a><\/p>\n

What are the best books, tv shows, and movies of 2025 so far? Our panel makes recommendations. Be prepared to share your own lists!<\/td>\n<\/tr>\n

Monroe<\/td>\nRole of Editors<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Scott H. Andrews<\/a> (M), Michael J. DeLuca<\/a>, Mike McPhail<\/a>, Wendy Delmater Thies<\/a>, Michael A. Ventrella<\/a><\/p>\n

Editors tell all. What do editors do and why are they necessary?\u00a0 How do different editors approach editing and how hands-on can (or should) they get? What are the best practices for editors and how do short story editors differ from book editors? What are editors looking for? How can a writer get the best possible editing? Writers and editors share their experiences with the editing process.<\/td>\n<\/tr>\n

Saturday 3:00 pm<\/td>\nEisenhower<\/td>\nBuilding Your Worlds from the Ground Up<\/b><\/u> (Ends at: 3:55 pm)
Participants:<\/b> Catherine Asaro<\/a>, Doc Coleman<\/a>, Matthew Kressel<\/a>, Miguel O. Mitchell<\/a> (M), Leslye Penelope<\/a>
SF and Fantasy frequently take place in invented worlds\/societies. How do authors design worlds and reveal it to the reader? How much detail is needed? And how much info should the writer give the reader before it becomes too much infodumping? How do you create fully realized worlds that their readers can almost see, touch, and smell? <\/td>\n<\/tr>\n
Washington Theater<\/td>\nBringing Up Baby: Differences in Dinosaur vs. Mammals Growth & Ecologies<\/b><\/u> (Ends at: 3:55 pm)
Participants:<\/b> Thomas R. Holtz, Jr.<\/a>
Tom Holtz presents his latest on dinosaurs.\u00a0\u00a0<\/td>\n<\/tr>\n
Jackson<\/td>\nBook Promotion<\/b><\/u> (Ends at: 3:55 pm)
Participants:<\/b> Danielle Ackley-McPhail<\/a>, Michael Capobianco<\/a>, Nate Hoffelder<\/a>, Michael J. Walsh<\/a>, Jean Marie Ward<\/a> (M)
What do writers really need to know about marketing? Podcasts, e-radio, BookTube, Kickstarter, Patron, and discount book sites are some of the ways you can promote your book. How can new writers tap into these options? What are some dos and don\u2019ts? How much should writers invest in promotion and how do they measure results? <\/td>\n<\/tr>\n
Monroe<\/td>\nLearning the Craft<\/b><\/u> (Ends at: 3:55 pm)
Participants:<\/b> Sarah Avery<\/a>, Kel Coleman<\/a> (M), Larry Hodges<\/a>, Sarah Pinsker<\/a>, Alex Shvartsman<\/a>
How do writers learn to become writers? There are options like an MFAl; workshops like Clarion, Odyssey, or StarCoast; or even writing fanfiction. What worked for you and what would you recommend for others? What are the roles of groups like SFWA or critique groups and writing circles?\u00a0 <\/td>\n<\/tr>\n
Saturday 4:00 pm<\/td>\nEisenhower<\/td>\nSpace Opera vs. Hard SF vs. Military SF<\/b><\/u> (Ends at: 4:55 pm)
Participants:<\/b> Jack Campbell<\/a>, Michael Capobianco<\/a> (M), Joe Haldeman<\/a>, Mike McPhail<\/a>, Suzanne Palmer<\/a><\/p>\n

What are these subgenres and what distinguishes one from the other? Do writers start off with the intention to write one of these? Where do you draw the line (or is there no point in such a line)? What are some of the best recent Space Operas? Best Hard SF? Best MilSF?<\/td>\n<\/tr>\n

Washington Theater<\/td>\nHopeful Fiction for Dark Times<\/b><\/u> (Ends at: 4:55 pm)
Participants:<\/b> A. T. Greenblatt<\/a>, Somto Ihezue<\/a>, Naomi Kritzer<\/a>, Marissa Lingen<\/a>, A.C. Wise<\/a> (M)
The world seems to be in a dark place, such that “peddling hope” could appear irresponsible. Panelists will talk about hopepunk, cozy fantasy, and other forms of “lighter” fiction, giving examples, and talking about how hope is particularly important.<\/p>\n

\u00a0<\/td>\n<\/tr>\n

Jackson<\/td>\nLiving with a Writer<\/b><\/u> (Ends at: 4:55 pm)
Participants:<\/b> Gay Haldeman<\/a>, Ellen Montgomery<\/a>
It is not easy having a spouse or partner who could be on other planets (mentally) or plotting how to defeat the Dark Lord.\u00a0 Hear stories of how they support (or don’t support) their SF\/Fantasy significant other.,<\/td>\n<\/tr>\n
Monroe<\/td>\nWriting Through Adversity<\/b><\/u> (Ends at: 4:55 pm)
Participants:<\/b> Day Al-Mohamed<\/a> (M), Wendra Colleen <\/a>, J.L. Gribble<\/a>, Morgan Hazelwood<\/a>, Lawrence M. Schoen<\/a><\/p>\n

Many writers have medical issues. Even those who don’t may face illnesses in their immediate family, troubles with a spouse\/significant other, or various economic and social ills. How do you focus on writing during the bad times? What strategies do you use to keep writing despite everything? Please share your own personal stories. <\/td>\n<\/tr>\n

Lincoln<\/td>\nWriters’ Workshop<\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> Miguel O. Mitchell<\/a>
In this workshop, we will discuss what makes a good speculative fiction story, one that you can’t put down. We’ll work on the key story parts: the hook, the character introduction, worldbuilding, presentation, the character arc, the buildup of tension, and the satisfactory resolution. We will analyze those parts in one of my published stories and then we will practice for five-minutes each writing a hook, a worldbuilding description, dialogue that gives two characters distinctive voices, and buildup of tension. Afterwards, we will discuss what some of us wrote.\u00a0<\/td>\n<\/tr>\n
Saturday 5:00 pm<\/td>\nWashington Theater<\/td>\nAre Shorts Still the Heart?<\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> Jennifer Brinn<\/a>, Andrija Popovic<\/a>, Rosemary Claire Smith<\/a> (M), Michael Swanwick<\/a>, Sean Wallace<\/a>
It has been said that short stories are the heart of the science fiction field. Shorts can be more creative and more experimental than novels.\u00a0 Is this still true? Why should people still read short stories? And what is happening to the digest magazines? Panelists discuss the role of short stories in SF and why they are still important in the modern world.<\/td>\n<\/tr>\n
Jackson<\/td>\nUses of History<\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> Nicole Glover<\/a>, Walter H Hunt<\/a>, Adeena Mignogna<\/a>, Joab Stieglitz<\/a>, Nathan W. Toronto<\/a> (M)
History is full of stories. How can science fiction and fantasy make use of them? What are some ways in which history has inspired science fiction beyond just alternate history? How can authors use history without looking like they were copying it? What can science fiction and fantasy teach us about our past? <\/td>\n<\/tr>\n
Monroe<\/td>\nSenior Protagonists<\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> Ken Altabef<\/a>, Elektra Hammond<\/a> (M), Darrell Schweitzer<\/a>, Wendy Delmater Thies<\/a>
Much of science fiction and fantasy focuses on younger characters still learning about themselves. But older people can have adventures too.\u00a0 What can writers explore with older characters that they cannot with younger ones? As readers grow older, should the characters reflect this? Who are your favorite older characters who are more than just mentors and guides for the youngsters? <\/p>\n

\u00a0<\/td>\n<\/tr>\n

Saturday 6:00 pm<\/td>\nJackson<\/td>\nDiving into Subgenres <\/b><\/u> (Ends at: 6:55 pm)
Participants:<\/b> A. T. Greenblatt<\/a>, J.L. Gribble<\/a>, Morgan Hazelwood<\/a> (M), Jennifer R. Povey<\/a>, Emily Wagner<\/a>
– There are trends and then there are subgenres. What are some subgenres of science fiction and fantasy and why do they exist? Do authors pay attention to subgenres when they write or are these just marketing categories? Why write in a subgenre? What are some new genres like hopepunk and romantasy and how have they influenced the genre? <\/td>\n<\/tr>\n
Saturday 9:00 pm<\/td>\nWashington Theater<\/td>\nStaying Power of the Lord of the Rings<\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b> Walter H Hunt<\/a> (M), D.M. Mewha<\/a>, Wendy Delmater Thies<\/a><\/p>\n

Lord of the Rings was published in 1954-6. What makes so many people still consider it the Greatest Fantasy of All Time?\u00a0 How did it become the template for such much of later fantasy? Why have all the other fantasies not surpassed it? What makes it still work today despite its age?<\/td>\n<\/tr>\n

Jackson<\/td>\nAppeal of Horror <\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b> Zack Be<\/a>, Randee Dawn<\/a>, Scott Edelman<\/a>, Andrija Popovic<\/a>, Hildy Silverman<\/a> (M)
Horror fans know the thrill of being scared. But horror can also explore how we cope with grief and tragedy or play out the extreme consequences of ill-advised choices. What makes horror so compelling? What does flirting with the dark side tell us about being brave and confronting our own fears? <\/td>\n<\/tr>\n
Monroe<\/td>\nThe Second Coming of Russell T Davies on Doctor Who<\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b> Brick Barrientos<\/a>, Doc Coleman<\/a>, Cathy Green<\/a> (M)<\/p>\n

What do we think of the most recent era of Doctor Who? What worked and what didn\u2019t? What would you have changed? What do you want to see in some future season?<\/td>\n<\/tr>\n

Saturday 10:00 pm<\/td>\nTruman<\/td>\nGame Demo – Life of the Amazonia <\/b><\/u> (Ends at: 10:55 pm)
Participants:<\/b> Zenlizard<\/a>
Life of the Amazonia is a board game combining aspects of resource draw, worker placement, and tile selection. Players compete to discover various life forms, extend their jungle, and pool their resources. To the victor goes the jungle!\u00a0<\/td>\n<\/tr>\n
Saturday 11:00 pm<\/td>\nMonroe<\/td>\nSaturday Night Filking<\/b><\/u> (Ends at: 12:55 am)
Participants:<\/b>
We had fun singing together Friday night.\u00a0 Let’s do it again on Saturday.\u00a0 Filking is the music of science fiction fandom. Come and sing along (or just listen).<\/td>\n<\/tr>\n
Sunday 10:00 am<\/td>\nEisenhower<\/td>\nBreaking the Rules of Science? <\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Catherine Asaro<\/a>, John Ashmead<\/a>, Jack Campbell<\/a>, Inge Heyer<\/a>, Adeena Mignogna<\/a> (M)
From world-conquering AI to time travel and faster-than-light (FTL) travel, science fiction loves breaking the rules for the sake of a good story. Scientific accuracy can ground a story in reality, but how much room can it leave for the improbable? When is it okay to break the rules of science and why? Panelists discuss the best, worst, and most surprising rules to break in science fiction.<\/td>\n<\/tr>\n
Washington Theater<\/td>\nMagic: Wonder or Mechanics? <\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Scott H. Andrews<\/a> (M), Nicole Glover<\/a>, Joshua Benjamin Palmatier<\/a>, Leslye Penelope<\/a>, Michael Swanwick<\/a>
Some writers create elaborate systems of magics that treat magic almost mechanically such as burning metals or specific incantations. Others have a more open freeform magic that may have some rules but are not as limited. What are the advantages and disadvantages of each? Why might an author use one rather than the other? What authors are best at each type of magic and why?<\/p>\n

\u00a0<\/td>\n<\/tr>\n

Jackson<\/td>\nProblems in Series<\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> D.H. Aire<\/a> (M), Ken Altabef<\/a>, Lawrence M. Schoen<\/a>, Joab Stieglitz<\/a><\/p>\n

Many series seem to go on forever. \u00a0 How can the author avoid repetition? Can the characters keep growing without becoming too powerful? If the series goes on to 10 or even 20 volumes what can the author do to keep things fresh? How does an author determine when to end things? an author just cut it off? <\/td>\n<\/tr>\n

Monroe<\/td>\nAlien Immigrants<\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Carolyn Ives Gilman <\/a>, Elektra Hammond<\/a> (M), Andrija Popovic<\/a>
From Superman and Alien Nation to War of the Worlds and Resident Alien, science fiction is filled with aliens who come to make a home on Earth, peacefully or not. Through the lens of comedy, drama, and the truly terrifying, these stories can challenge ideas of what truly makes us different. What are some of the best alien stories, and what makes them work? What do these stories teach us about assimilation, conflict, and community? What do they have to say about current immigration controversies?<\/td>\n<\/tr>\n
Sunday 11:00 am<\/td>\nEisenhower<\/td>\nEthical Considerations for AI<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Catherine Asaro<\/a>, John Ashmead<\/a> (M), Nate Hoffelder<\/a>, Adeena Mignogna<\/a>, Wendy Delmater Thies<\/a>
If an artificial intelligence (AI) is sentient, what right do people have to program it or tell it what to do?\u00a0 Can\/should self-aware AIs be controlled? Is it slavery to own an AI? Can we terminate lower-functioning units, even if they are self-aware? Do AIs warrant citizenship? A vote? And how and why could we or should we instill morality into AIs? Should Asimov’s Three Laws of Robotics be implemented? Would they even be sufficient? What constitutes “self-awareness,” anyway? Let’s discuss the ethical issues around AI.<\/p>\n

\u00a0<\/td>\n<\/tr>\n

Jackson<\/td>\nWriting in Our Own Dystopia<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Zack Be<\/a> (M), Carolyn Ives Gilman <\/a>, A. T. Greenblatt<\/a>, Matthew Kressel<\/a>, Suzanne Palmer<\/a><\/p>\n

Many say we are living in an increasingly dystopic world with overpopulation, dangers from global warming, and a growing number of totalitarian regimes where human rights are subservient to the state. How can science fiction help educate people about these problems? How can it provide ways for the voices of people in dystopias to be heard? How do we balance engagement versus entertainment? And how do you write about dystopian events while you’re living through them?<\/td>\n<\/tr>\n

Monroe<\/td>\nWorks of Joe Haldeman <\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Gay Haldeman<\/a>, Joe Haldeman<\/a>, Sam Lubell<\/a> (M)<\/p>\n

Everyone knows about The Forever War. But what about Joe Haldeman\u2019s other works?\u00a0 How did his fiction change as he matured? What are his special strengths and weaknesses? What do you think are his best books and why? <\/td>\n<\/tr>\n

Sunday 12:00 pm<\/td>\nEisenhower<\/td>\nAlternatives Roads to Hero\u2019s Journey <\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Day Al-Mohamed<\/a>, Jennifer Brinn<\/a>, A. T. Greenblatt<\/a>, Jo Miles<\/a>, Rosemary Claire Smith<\/a> (M)<\/p>\n

Joseph Campbell\u2019s Hero\u2019s Journey has been a staple structure of genre fiction. But not every main character has to be a loner, an orphan, or dysfunctional. People with support systems can still be heroes too. What about the accidental hero or the mature hero or the stationary hero? What about plots other than saving the world or the kingdom? What other paths are there for a protagonist? Panelists discuss alternatives roads and what books have the best ones.<\/td>\n<\/tr>\n

Washington Theater<\/td>\nSmall Press or Self-Publishing or Big Press<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Shahid Mahmud<\/a>, Mike McPhail<\/a>, Ian Randal Strock<\/a>, Nathan W. Toronto<\/a>, Michael A. Ventrella<\/a> (M)
Authors have options for their publisher — small press, self-publishing, or big press. What are the advantages and drawbacks of each method? How can an author choose which to try? How can a new writer get started with each? <\/td>\n<\/tr>\n
Jackson<\/td>\nImplications of Genetic Engineering <\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Kel Coleman<\/a>, Elektra Hammond<\/a>, Rob O’Malley<\/a> (M), Mark Roth<\/a>, Mary G. Thompson<\/a>
What are some of the ethical, legal, and social dimensions of advances in genetics?\u00a0 Is it safe to play god, and what are the risks and possible dangers of pursuing, or even allowing, genetic modifications that could spread? What might we unleash with stem cell research, modified viruses, bioengineered cures, self-replicating nanobots, cloning, and the regrowth of organs or limbs?\u00a0 And even if the physical problems are solved, would it be fair to have unmodified humans compete with the genetically modified in school, sports, and careers?<\/td>\n<\/tr>\n
Monroe<\/td>\nHumor and Satire in SF\/Fantasy<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Doc Coleman<\/a> (M), Wendra Colleen <\/a>, Larry Hodges<\/a>, D.M. Mewha<\/a>, Alex Shvartsman<\/a><\/p>\n

Funny fantasy and humorous SF have long been a part of these genres, frequently in short-shorts ending in a groan-worthy pun. Then came writers like Douglas Adams and Terry Pratchett who made careers out of writing novels with laughter. How can writers use humor and satire as the main course of a novel, not just occasional comic relief? What is the role of humor in SF\/Fantasy today and how is has it changed? Is there a reason why so many genre humorists are British? Is there still a stigma against writing humor? <\/td>\n<\/tr>\n

Sunday 1:00 pm<\/td>\nEisenhower<\/td>\nComing of Age Stories <\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Sarah Avery<\/a> (M), Wendra Colleen <\/a>, Somto Ihezue<\/a>, Darrell Schweitzer<\/a>
YA and even much of adult fiction feature coming of age stories. What is it about these stories that keep us coming back, even as adults? What makes some of these work while others are too didactic or preachy? Our panelists will discuss the nature and importance of coming of age stories.<\/td>\n<\/tr>\n
Washington Theater<\/td>\nReligions of the Future<\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Bjorn Hasseler<\/a>, Walter H Hunt<\/a> (M), Naomi Kritzer<\/a>, Rob O’Malley<\/a>, Jennifer R. Povey<\/a><\/p>\n

Throughout history, humanity has grappled with the coexistence of religion and science as conflicting ways to explain the world around us. Can SF literature point us toward what the future might hold for spirituality and faith among increasingly technological humans? What happens to religion if we find intelligent life with their own religion(s) or none at all? What SF books have the best explorations of religion? What further questions could SF authors be exploring at the intersection of science and religion?<\/td>\n<\/tr>\n

Jackson<\/td>\nAsk Me Anything – Publishers <\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Danielle Ackley-McPhail<\/a>, Joshua Benjamin Palmatier<\/a> (M), Ian Randal Strock<\/a>, Nathan W. Toronto<\/a>
This is your chance to ask publishers anything. Absolutely anything.<\/td>\n<\/tr>\n
Monroe<\/td>\nThe Singularity is Nearer<\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> John Ashmead<\/a>, Michael Capobianco<\/a>, Tom Doyle<\/a>, Mary G. Thompson<\/a> (M)<\/p>\n

The Singularity is the idea that, at some point in the future, technological change will grow irreversibly beyond human comprehension and control., Its proponents\u00a0 have predicted we are only one generation away for the last 50 or so years. But now with ever more powerful computers and the explosive growth of AI, are we perhaps actually nearing that particular event horizon?\u00a0 Will the rise of deep-fakes and (hyper)realistic AI-generated videos mean that we can no longer trust our own eyes? How can we know what is real or true, when \u201creality\u201d can be generated with a mere sentence prompt and click of a button? And with AI taking on more and more jobs, what will that mean for most humans who have to work to survive? What will that mean for the concept of work itself?<\/td>\n<\/tr>\n

Sunday 2:00 pm<\/td>\nEisenhower<\/td>\nIs SF Political?<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Day Al-Mohamed<\/a>, Shahid Mahmud<\/a>, D.M. Mewha<\/a> (M), Jo Miles<\/a>
There are debates about whether science fiction has gotten too political. Some claim past writers kept their politics out of their books more than today. Others assert that all writing is political. With which side do you agree? What does it mean for a book to be political? And was there ever a time when SF was not political? Is it a problem for a book to be political? What are some recent books you think handles politics well?<\/td>\n<\/tr>\n
Washington Theater<\/td>\nGenre vs Literary Fiction<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Sarah Avery<\/a>, Scott Edelman<\/a> (M), Somto Ihezue<\/a>, Naomi Kritzer<\/a>, Mark Roth<\/a><\/p>\n

Genre is mostly a marketing tool, yet for many years, reviewers and academics saw genre fiction as inferior. They even denied that literary oriented SF was SF (such as 1984 or The Handmaid\u2019s Tale).\u00a0 Is this still true? Has this changed since many respected literary authors are incorporating science fictional and fantasy elements? Is SF\/Fantasy still in the literary ghetto? <\/td>\n<\/tr>\n

Monroe<\/td>\nPoint of View<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Kel Coleman<\/a> (M), Nicole Glover<\/a>, Diana Peterfreund<\/a>, Jean Marie Ward<\/a>
Writers can write in the first person (I did that), third person (John did that), and (rarely) second person (you did that). What are the advantages and disadvantages of each? When do writers decide what POV to use and why might they make that choice? Have you written a story in one person (or one POV) and rewrote it with a different one? Under what circumstances would you choose not to write in the typical third person? Are there some subgenres or markets that lend themselves to a particular approach? <\/td>\n<\/tr>\n
Sunday 3:00 pm<\/td>\nWashington Theater<\/td>\nFeedback Session<\/b><\/u> (Ends at: 3:55 pm)
Participants:<\/b>
What did you like about Capclave? What could be improved? This is your chance to tell us how we can make Capclave even better next year.<\/td>\n<\/tr>\n<\/table>\n

Workshop<\/h3>\n\n\n\n
Sunday 10:00 am<\/td>\nTruman<\/td>\nMiniatures Painting Workshop<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Zenlizard<\/a>
This is a hands-on workshop: bring yourself, and a desire to learn painting techniques for\u00a0 fantasy or military miniatures. You need bring only yourself: there is no materials fee, and at the end, you will take home the mini you\u2019ve painted. Zenlizard will go over the steps towards painting your miniature, from primer to finish. Note: This workshop will be in the gaming room.\u00a0<\/td>\n<\/tr>\n
Sunday 11:00 am<\/td>\nLincoln<\/td>\nPoetry Workshop<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Miguel O. Mitchell<\/a>
Speculative poetry has been around since humans started telling stories.\u00a0 Speculative poetry is verse with central themes about science, fantasy, science fiction, horror, supernatural, the weird, the surreal, and sometimes the unclassifiable. In this workshop, we will read and discuss different types of published speculative poetry. We will also discuss how one publishes in this genre. The workshop includes writing exercises where, based on a writing prompt, we will each try our hand at writing & critiquing a three-line, non-rhyming speculative poem called a scifaiku.<\/td>\n<\/tr>\n<\/table>\n

Lecture<\/h3>\n\n\n
Washington Theater<\/td>\nLooking for Exoplanets in all the right (SF) Places<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Inge Heyer<\/a>
Professor Inge Heyer discusses the search for planets beyond our solar system and finding SF worlds.<\/td>\n<\/tr>\n<\/table>\n

Reading<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
Friday 7:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – Alex Shvartsman <\/b><\/u> (Ends at: 7:25 pm)
Participants:<\/b> Alex Shvartsman<\/a>
Author Alex Shvartsman reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Nathan W. Toronto<\/b><\/u> (Ends at: 7:25 pm)
Participants:<\/b> Nathan W. Toronto<\/a>
Author Nathan Toronto reads from recent or upcoming works.<\/td>\n<\/tr>\n
Friday 7:30 pm<\/td>\nAdams<\/td>\nAuthor Reading – Paul Haggerty <\/b><\/u> (Ends at: 7:55 pm)
Participants:<\/b> Paul Haggerty<\/a>
Author Paul Haggerty reads from recent or upcoming works.<\/td>\n<\/tr>\n
Friday 8:00 pm<\/td>\nJackson<\/td>\nAuthor Reading – GOH Naomi Kritzer<\/b><\/u> (Ends at: 8:55 pm)
Participants:<\/b> Naomi Kritzer<\/a>
GOH Naomi Kritzer reads from one of her recent or upcoming works. Come and possibly be among the first to hear a potential future award winning story.<\/td>\n<\/tr>\n
Friday 9:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – Barbara Krasnoff<\/b><\/u> (Ends at: 9:25 pm)
Participants:<\/b>
Author Barbara Krasnoff reads from recent or upcoming works.<\/td>\n<\/tr>\n
Friday 9:30 pm<\/td>\nAdams<\/td>\nAuthor Reading — Darrell Schweitzer<\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b> Darrell Schweitzer<\/a>
Author Darrell Schweitzer reads from recent and upcoming work.<\/td>\n<\/tr>\n
Saturday 10:30 am<\/td>\nAdams<\/td>\nAuthor Reading – Walter H Hunt<\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Walter H Hunt<\/a>
Author Walter H. Hunt reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Somto Ihezue<\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Somto Ihezue<\/a>
Author Somto\u00a0 Ihezue reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 11:00 am<\/td>\nAdams<\/td>\nAuthor Reading – Elektra Hammond<\/b><\/u> (Ends at: 11:25 am)
Participants:<\/b> Elektra Hammond<\/a>
Author Elektra Hammond reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Joab Stieglitz <\/b><\/u> (Ends at: 11:25 am)
Participants:<\/b> Joab Stieglitz<\/a>
Author Joab Stieglitz reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 11:30 am<\/td>\nAdams<\/td>\nAuthor Reading – Karlo Yeager Rodriguez <\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Karlo Yeager Rodriguez<\/a>
Author Karlo Yeager Rodriguez reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Kel Coleman<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Kel Coleman<\/a>
Author Kel Coleman reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 12:00 pm<\/td>\nAdams<\/td>\nAuthor Reading — Jean Marie Ward<\/b><\/u> (Ends at: 12:25 pm)
Participants:<\/b> Jean Marie Ward<\/a>
Author Jean Marie Ward reads from recent and upcoming work.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Rosemary Claire Smith <\/b><\/u> (Ends at: 12:25 pm)
Participants:<\/b> Rosemary Claire Smith<\/a>
Author Rosemary Smith reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 12:30 pm<\/td>\nAdams<\/td>\nAuthor Reading — Tom Doyle<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Tom Doyle<\/a>
Author Tom Doyle reads from recent and upcoming work.<\/td>\n<\/tr>\n
Saturday 1:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – A.C. Wise<\/b><\/u> (Ends at: 1:25 pm)
Participants:<\/b> A.C. Wise<\/a>
Author A. C. Wise reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Randee Dawn<\/b><\/u> (Ends at: 1:25 pm)
Participants:<\/b> Randee Dawn<\/a>
\u00a0Author Randee Dawn reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 1:30 pm<\/td>\nAdams<\/td>\nAuthor Reading – Joshua Palmatier<\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Joshua Benjamin Palmatier<\/a>
Author Joshua Palmatier reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Miguel O. Mitchell<\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Miguel O. Mitchell<\/a>
Author Miguel Mitchell reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 2:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – Catherine Asaro<\/b><\/u> (Ends at: 2:25 pm)
Participants:<\/b> Catherine Asaro<\/a>
Author Catherine Asaro reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Day Al-Mohamed<\/b><\/u> (Ends at: 2:25 pm)
Participants:<\/b> Day Al-Mohamed<\/a>
Author Day Al-Mohamed reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 2:30 pm<\/td>\nAdams<\/td>\nAuthor Reading — Lawrence M. Schoen<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Lawrence M. Schoen<\/a>
Author Lawrence M. Schoen reads from recent and upcoming work.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Nicole Glover <\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Nicole Glover<\/a>
Author Nicole Glover reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 3:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – J.L. Gribble <\/b><\/u> (Ends at: 3:25 pm)
Participants:<\/b> J.L. Gribble<\/a>
Author J.L. Gribble reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Marissa Lingen<\/b><\/u> (Ends at: 3:25 pm)
Participants:<\/b> Marissa Lingen<\/a>
Author Marissa Lingen reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 3:30 pm<\/td>\nAdams<\/td>\nAuthor Reading – \u00cdde Hennessy<\/b><\/u> (Ends at: 3:55 pm)
Participants:<\/b> \u00cdde Hennessy<\/a>
Author \u00cdde Hennessy reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Mark Roth<\/b><\/u> (Ends at: 3:55 pm)
Participants:<\/b> Mark Roth<\/a>
Mark Roth reads from a recent or upcoming work.<\/td>\n<\/tr>\n
Saturday 4:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – Meridel Newton<\/b><\/u> (Ends at: 4:25 pm)
Participants:<\/b> Meridel Newton<\/a>
Author Meridel Newton reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 4:30 pm<\/td>\nAdams<\/td>\nAuthor Reading – Andrija Popovic<\/b><\/u> (Ends at: 4:55 pm)
Participants:<\/b> Andrija Popovic<\/a>
Author Andrija Popovic reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 5:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – Mary G. Thompson <\/b><\/u> (Ends at: 5:25 pm)
Participants:<\/b> Mary G. Thompson<\/a>
Author Mary G. Thompson reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 5:30 pm<\/td>\nAdams<\/td>\nAuthor Reading – Emily Wagner<\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> Emily Wagner<\/a>
Author Emily Wagner reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 6:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – D.M. Mewha<\/b><\/u> (Ends at: 6:25 pm)
Participants:<\/b> D.M. Mewha<\/a>
Author D. M. Mewha reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 6:30 pm<\/td>\nAdams<\/td>\nAuthor Reading – Phillip Pournelle <\/b><\/u> (Ends at: 7:25 pm)
Participants:<\/b> Phillip Pournelle<\/a>
Author Phillip Pournelle reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 9:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – Danielle Ackley-McPhail <\/b><\/u> (Ends at: 9:25 pm)
Participants:<\/b> Danielle Ackley-McPhail<\/a>
Author Danielle Ackley-McPhail reads from recent or upcoming works.<\/td>\n<\/tr>\n
Saturday 9:30 pm<\/td>\nAdams<\/td>\nAuthor Reading – Ian Randal Strock <\/b><\/u> (Ends at: 9:55 pm)
Participants:<\/b> Ian Randal Strock<\/a>
Author Ian Randal Strock reads from recent or upcoming works.<\/td>\n<\/tr>\n
Sunday 10:00 am<\/td>\nAdams<\/td>\nAuthor Reading — Michael A. Ventrella<\/b><\/u> (Ends at: 10:25 am)
Participants:<\/b> Michael A. Ventrella<\/a>
Author Michael A. Ventrella reads from recent and upcoming work.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Charles Oberndorf<\/b><\/u> (Ends at: 10:25 am)
Participants:<\/b>
Author Charles Oberndorf reads from recent or upcoming works.<\/td>\n<\/tr>\n
Sunday 10:30 am<\/td>\nAdams<\/td>\nAuthor Reading – Sarah Avery <\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Sarah Avery<\/a>
Author Sarah Avery reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Michael J. DeLuca <\/b><\/u> (Ends at: 10:55 am)
Participants:<\/b> Michael J. DeLuca<\/a>
Author Michael DeLuca reads from recent or upcoming works.<\/td>\n<\/tr>\n
Sunday 11:00 am<\/td>\nAdams<\/td>\nAuthor Reading — Bjorn Hasseler<\/b><\/u> (Ends at: 11:25 am)
Participants:<\/b> Bjorn Hasseler<\/a>
Author Bjorn Hasseler reads from recent and upcoming work.<\/td>\n<\/tr>\n
Sunday 11:30 am<\/td>\nAdams<\/td>\nAuthor Reading — Hildy Silverman<\/b><\/u> (Ends at: 11:55 am)
Participants:<\/b> Hildy Silverman<\/a>
Author Hildy Silverman reads from recent and upcoming work.<\/td>\n<\/tr>\n
Sunday 12:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – Matthew Kressel<\/b><\/u> (Ends at: 12:25 pm)
Participants:<\/b> Matthew Kressel<\/a>
Author Matthew Kressel reads from recent or upcoming works.<\/td>\n<\/tr>\n
Sunday 12:30 pm<\/td>\nAdams<\/td>\nAuthor Reading – Scott Edelman<\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Scott Edelman<\/a>
Author Scott Edelman reads from recent or upcoming works.<\/td>\n<\/tr>\n
Sunday 1:00 pm<\/td>\nAdams<\/td>\nAuthor Reading – Morgan Hazelwood<\/b><\/u> (Ends at: 1:25 pm)
Participants:<\/b> Morgan Hazelwood<\/a>
Author Morgan Hazelwood reads from recent or upcoming works.<\/td>\n<\/tr>\n
Lincoln<\/td>\nAuthor Reading – Doc Coleman <\/b><\/u> (Ends at: 1:25 pm)
Participants:<\/b> Doc Coleman<\/a>
Author Robert Coleman reads from recent or upcoming works.<\/td>\n<\/tr>\n
Sunday 2:00 pm<\/td>\nJackson<\/td>\nAuthor Reading – GOH Joe Haldeman<\/b><\/u> (Ends at: 2:55 pm)
Participants:<\/b> Joe Haldeman<\/a>
GOH Joe Haldeman closes out Capclave by reading from one of his classic works. You don’t want to miss this!\u00a0<\/td>\n<\/tr>\n<\/table>\n

Participatory Event<\/h3>\n\n\n\n\n\n\n\n\n\n
Friday 4:00 pm<\/td>\nTruman<\/td>\nGame Demo – Gold n’ Grog <\/b><\/u> (Ends at: 4:55 pm)
Participants:<\/b> Zenlizard<\/a>
Demo of Gold n’ Grog, a\u00a0light-hearted press your luck style card game. Each pirate (player) will try to collect as much gold as they can.\u00a0<\/td>\n<\/tr>\n
Friday 11:00 pm<\/td>\nMonroe<\/td>\nFriday Night Filking<\/b><\/u> (Ends at: 12:55 am)
Participants:<\/b>
Late night filking.\u00a0 Filking is the music of science fiction fandom. Come and sing along (or just listen).<\/td>\n<\/tr>\n
Saturday 12:00 pm<\/td>\nTruman<\/td>\nGame Demo – Akropolis <\/b><\/u> (Ends at: 12:55 pm)
Participants:<\/b> Steve Brinich<\/a>
In Akropolis talented architects build housing, temples, markets, gardens, barracks and plazas, to grow their city and ensure it triumphs over the others.\u00a0<\/td>\n<\/tr>\n
Saturday 1:30 pm<\/td>\nTruman<\/td>\nStarship Troopers RPG<\/b><\/u> (Ends at: 4:25 pm)
Participants:<\/b> Yoshi<\/a>
Starship Troopers RPG. \u00a0Join the Mobile Infantry! A table-top RPG based on the novel by Robert Heinlein, the two Starship Troopers movies, and the Roughnecks Chronicles animated series.<\/p>\n

Up to 9 players will work together with limited resources and time to infiltrate a bug defense point and neutralize the plasma bug battery, preventing SICON from initiating a low-level Tac-Fighter strike on a nearby bug hive. The Roughnecks must complete their mission within the allotted time frame, or SICON will be forced to scrub the mission, and they’ll have to beat feet back to base. Pregens of all 8 members of Razak’s Roughnecks and the CHAS unit will be provided, along with dice if needed.\u00a0You’re dropping into the jungle, then you’ll advance on the enemy position. The objective’s simple. If it’s a bug, kill it.<\/td>\n<\/tr>\n

Saturday 5:00 pm<\/td>\nTruman<\/td>\nGame Demo – Mists Over Carcassone<\/b><\/u> (Ends at: 5:55 pm)
Participants:<\/b> Steve Brinich<\/a>
Mists Over Carcassone is a co-operative version of the well-known tile-laying game Carcassonne. Working together, players place tiles and score points while trying to stop the spread of ghosts, contain haunted ground in cemeteries, and use haunted castles to their advantage. If too many ghosts are loose on the ground or you’ve collected too few points when the tiles run out, you lose the game.<\/td>\n<\/tr>\n
Saturday 7:00 pm<\/td>\nEisenhower<\/td>\nMass Signing and Award Ceremony<\/b><\/u> (Ends at: 8:55 pm)
Participants:<\/b>
Everyone is invited to participate in the Mass signing.\u00a0 Participants should grab a name tent and pile any books for sale on a table. Everyone can bring books to be signed (or make our dealers happy and buy them here).\u00a0 Then stay to learn the winner of the WSFA Small Press Award.\u00a0<\/td>\n<\/tr>\n
Washington Theater<\/td>\nScience Fictional Trivia<\/b><\/u> (Ends at: 8:55 pm)
Participants:<\/b> Brick Barrientos<\/a> (M)
Show off your knowledge of science fiction and fantasy trivia.\u00a0 TV, movies, books, stories, fanlore, it is all here. The winner gets bragging rights for the whole convention.<\/td>\n<\/tr>\n
Sunday 11:00 am<\/td>\nTruman<\/td>\nDrakonym RPG<\/b><\/u> (Ends at: 1:55 pm)
Participants:<\/b> Yoshi<\/a>
Drakonym is a tabletop narrative RPG that has players bonding with dragons. In Drakonym, players will awaken in a body, mind, and world not their own. Thrown into the unknown, they must unravel their identity and themselves while struggling in an unfamiliar world. This starter demo will help players explore the basics of the setting of Drakonym, learn its rules, and create a level 1 character from scratch. Dice and Character Sheets will be provided.<\/td>\n<\/tr>\n<\/table>\n\n\n
Page Update: September 22, 2025<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

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